This project evolved during a period of temporary hearing loss which left me profoundly aware of the sounds that surround me every day. To attune myself to this phenomenon I began a practice of listening meditations that soon led to these drawings.

Sitting within various gardens, I attentively listen to the calls and songs of birds in our shared habitat. Using both hands to mirror each ear, I responsively make marks that correspond to what I hear. I do not look at the drawing as it is being made, surrendering composition to chance. Each drawing is made over a prescribed period of time, determining when it is finished. Weather conditions, time, date and place are noted and the birds heard are identified and recorded on the back.

Switching senses, from sight to sound, the drawings give visual fidelity to my auditory experience. I find sitting within these gardens offers me moments of solace, allowing me to savor quiet moments during a volatile time. The drawings are the tangible records of sequential fleeting moments that I experienced while there. I find them simultaneously charged with energy, chaotic and unsettled, therefore alive, which is how the world feels to me right now.

The act of making these drawings renews my appreciation and my connectedness to nature, my role in shaping it and thus a larger sense of responsibility to preserve it.