Using an overhead projector, I playfully drop rubber bands on its bed, projecting their images onto a screen. The rubber bands function as a conveyor of line and their projected silhouetted images form accidental patterns. The projected light drawings are photographed and then arranged in a grid, attempting to impose a structure of order upon the random patterns. The alignment is intentionally imperfect to imply entropy at play.
The accompanying video becomes a durational “photogram” as well as a document of a performance where the element of chance plays a central role.